Those who have known the famous are publicly debriefed of their memories, knowing as their own dusk falls that they will only be remembered for remembering someone else.

The bits I most remember about my school days are those that took place outside the classroom, as we were taken on countless theatre visits and trips to places of interest.

Feeling I'd scarcely arrived at a style, I now find I'm near the end of it. I'm not quite sure what Late Style means except that it's some sort of licence, a permit for ageing practitioners to kick their heels up.

I always like to break out and address the audience. In 'The History Boys', for instance, without any ado, the boys will suddenly turn and talk to the audience and then go back into the action. I find it more adventurous doing it in prose than on the stage, but I like being able to make the reader suddenly sit up.

We are quick to stick labels on others - especially those who don't fit in with the norm. 'Harold Fry' is about a broken marriage; 'Perfect' is about a broken person. They are both about finding kindness where you least expect it.

I was just on the edge of getting married, and I was frenzied at the prospect of this great step in my life after having been a bachelor for so long. And I really wanted to take my mind off of the agony, and so I decided to sit down and write a book.

Though I am not against a love marriage, if my parents chose a guy for me, I will go for it.

That's one thing that frustrates me is to hear people today say I don't have passion; my heart's not in it. Man, what the hell? You can't go to 38 races in 42 weeks with your heart out of it.