Often the art in New York is related to the buildings, to grandiose things.

In 1964, when we first arrived in New York City, I remember vividly seeing the skyline of Manhattan, and our first proposal of 1964 was to wrap two lower Manhattan buildings. We never got permission.

Therefore, when we arrive in a place and talk to new people about a new image, it is very hard for them to visualize it. That's where the drawings are very important, because at least we can show a projection of what we believe it will look like.

The only place where people in Manhattan walk for leisure is in the park.

This was the period when I used all the influence I had to get the British to abandon their export trade, and as much as possible convert all of their manufacturing facilities to the immediate needs of the war, including civilian, as well as military requirements.

I hated the bangs in the war: I always felt a silent war would be more tolerable.

King Edward VIII was forced to abdicate because he was determined to marry a divorced woman. As a result of that decision, the Queen's father, George VI, was obliged to lead the country through a war that threatened its survival, with all the personal pain portrayed in 'The King's Speech.'

This war is like an actress who is getting old. It is less and less photogenic and more and more dangerous.