In the production, it's my job to find every flaw and the ones that can't be fixed, and that's why my job kind of sucks. My first reaction to everything is: here's the 20 things that are wrong with it. Unfortunately, that's how I have to live.

I don't think I would want to do an animated movie because I've already made so many hours of animation that what's the point? I'd want something new and weird to challenge me in a different way.

Shore Leave is the one who evolved the most - because he started as a one-off joke because we were gagging on how the G.I. Joe vocationally specific-themed characters reminded us of the Village People. We made a sassy Village People kind of guy, and then we brought him back.

The thing that always struck me about 'Jonny Quest' is: What kind of parent brings his kid to the Amazon so that yetis can throw boulders at him?

I'm a creative person. I love to write, I love to act, I love to perform, I love to create things with my hands, so I do all of these things that are kind of like hobbies in a way. They're things that I love, so it's not like a work-life balance; it's just a work-life marriage.

Therefore I do pray and entreat you in the name of Jesus Christ to do so much as to make my being here in Japan known to my poor wife, in a manner a widow and my two children fatherless; which thing only is my greatest grief of heart and conscience.

We've spoken to a lot of friends who are stars who could be great, and they say to us, 'Look, if you were doing a movie musical, and we could pre-record and lip-synch, sure. But live? So if we hit a bad note it's there for posterity? We're not going to go out there without a safety net.' People are scared to death of that.

I just played at a club in L.A. called the Baked Potato. It fits like 90 people. It's like playing somewhere in a basement in, like, Indiana or somewhere where all your friends show up. It's really fun and there's a very different energy to that than to play to 50,000 at a Tokyo baseball stadium.