Growing up as a product of the black civil-rights movement, I had a lot of different models for black weirdness, whether it's Richard Pryor or James Baldwin or Jimmy Walker.

Growing up devouring horror comics and novels, and being inspired to become a writer because of horror novels, movies, and comic books, I always knew I was going to write a horror novel.

I started writing in the '90s, so I was free to just have an eccentric career and not conform to some idea of what a black writer has to do. I didn't have the burden of representation.

For me, choosing between fiction and nonfiction is really only about picking the right tool for the job.

I am an actor and I live in the world of pretend in my working capacity. I live in the world of my imagination.

The idea of avant-garde art is a very suspicious thing to me, the idea that poetry is new and it keeps being new the way Chevrolets every year are new.

A writer is not a prophet, is not a philosopher; he's just someone who is witness to what is around him. And so writing is a way to... it's the best way to testify, to be a witness.

Alien' asked ground-breaking questions about eco-politics and female empowerment. 'The Matrix' delved deeper into the concept of perception versus reality than perhaps any other film I know. But for some reason, we tend not to remember the significance of their writing.