Oh my goodness; the highlight of my career. I couldn't pick a show or a moment because that would just be impossible.

I used to watch 'Cagney & Lacey' with my mum back in the day. I can't remember any of their storylines, but I remember really knowing these two friends like I would know real people.

Three and a half years in L.A. was enough for me. I would love to go back for short bursts if a film opportunity came up, but it's a unique place, and you can reach saturation point. For me it was a place where creative desire and ambition meets desperation. It's in the air; it's palpable - I just didn't want to be around that.

A friend of mine had died, and I went for an audition. It was weird and cathartic: the producer was very excited about the piece, but my brain wasn't working, and it all seemed really pointless and fickle. I told them I didn't want to be there any more, and left. It was the most terrifying and empowering audition experience I've had.

Humor expands our limited picture frame and gets us to see more than just our problem.

Almost every venerable tradition at a men's club starts out as a joke.

Comedy comes from a place of hurt. Charlie Chaplin was starving and broke in London, and that's where he got his character 'the tramp' from. It's a bad situation that he transformed into comedic one.

Comedy is really my passion. I started out way before television doing sketch comedy with other women. Very much along the lines of, at the time it was 'Sensible Footwear', but now it's 'Smack The Pony', 'French And Saunders', that kind of thing. That's how I started out.