I used to watch 'Cagney & Lacey' with my mum back in the day. I can't remember any of their storylines, but I remember really knowing these two friends like I would know real people.

Three and a half years in L.A. was enough for me. I would love to go back for short bursts if a film opportunity came up, but it's a unique place, and you can reach saturation point. For me it was a place where creative desire and ambition meets desperation. It's in the air; it's palpable - I just didn't want to be around that.

I love comedy with a passion, and I hope that shows in my work. I would never want to move an inch away from comedy. What I want to do is continue to grow and extend myself, so if anything, I'm adding things on.

A friend of mine had died, and I went for an audition. It was weird and cathartic: the producer was very excited about the piece, but my brain wasn't working, and it all seemed really pointless and fickle. I told them I didn't want to be there any more, and left. It was the most terrifying and empowering audition experience I've had.

The NBA's a Fortune 500 company. That's how you look at it. And all the other Fortune 500 companies out there in the world, you don't see their CEOs and COOs going to work with white tees and baggy clothes and stuff like that. So I have to take that same approach.

I concentrate on acting while my dad handles the business side of my career.

I believe Business Objects is on the cusp of becoming a multi-billion-dollar sales company. There is tremendous growth potential for business intelligence.

No one is going to keep giving me work because I am Salman Khan's brother. People may give me one or two films because of Salman but no one can make my career. I have to work towards it.