I've had a lot of different responses to my films. I got a lot of support from 'The Piano,' the obvious one, but it feels like an ocean, with a lot going on - the goal is to keep alive.

I seem to have been able to make a career out of doing what I feel like doing, so why not keep doing it? What's corrupting is wanting to be more important. You want to be more arty - you get your identity from that. Or you get your identity out of making more money.

Because there is that sort of feeling that people don't know what to do with gaps in their lives. It's a scary notion, but actually, if you can stand in space just for a little while, a new door will open, or you'll be able to see in the dark after a while. You'll adjust.

This is the first generation to grow up on Thatcher - it's a different ethos. It's money minded, and it's the cult of yourself. Now that's fine, except when it falls down, and you can't achieve your goals - through high unemployment, through the fact that you probably need inherited money to get anywhere.

I'm a very private person. I don't go out much. I'm home with kids. I go to work. I don't really like being the focus of attention, which is why I like being behind the camera more.

I didn't have any knowledge of the music industry when I first got to L.A., and I really didn't know on a creative level what I wanted to sound like, so I had to do a lot of experimenting. It led to a spiral of depression and being broke.

Becoming a parent gives you access to a whole world of feeling. It gives you a much stronger sense of life and death: becoming a father made me realise my own mortality.

I come from a broken home. My parents split up when I was nine. Everyone gave me a good wallop. But I come from a time when you just put up with that, you got on with things rather than sitting moaning about them.