If I go see a band, and they play, like, zero from any of their old albums, I'm very happy about that. I do not want to see the bands of my youth playing the songs of my youth. I hate that.

For years, I've written narrators who aren't gender-identified. When I do autobiographical stuff, that's different, obviously. But I've always tried to keep my songs as potentially not a man's thing.

I try not to write songs in which men glamorize their own need for approval from women. That's kinda a bogus way to go out. But I try to do this quietly. I'm not about to go around telling people how they should or shouldn't think. My feminism is for me.

I am permanently a student of people who make great songs, but besides sort of learning by absorption, I just love listening to music, hearing what's going on, hearing new things or new old things.

I just wanted to do this all Australian film and we didn't want to give creative control to overseas 'cause whoever comes on my sets, whether you're sweeping the floor or an actor, it doesn't matter who comes up with the ideas, it's a collaboration.

I don't think that scheduling is uncreative. I think that structure is required for creativity.

I love what Monet, Picasso, Van Gogh and Jesus all said - that love is really the driving principle of the creative act. In fact, they would say that great art is always inspired by love.

I want to see my kids grow up in a world that I grew up in, which was it had imagination and it had hope. And all of a sudden, I see that being dissolved, and I see, as a country, as a people, we are a republic. We are a democracy.