If I go see a band, and they play, like, zero from any of their old albums, I'm very happy about that. I do not want to see the bands of my youth playing the songs of my youth. I hate that.

For years, I've written narrators who aren't gender-identified. When I do autobiographical stuff, that's different, obviously. But I've always tried to keep my songs as potentially not a man's thing.

I try not to write songs in which men glamorize their own need for approval from women. That's kinda a bogus way to go out. But I try to do this quietly. I'm not about to go around telling people how they should or shouldn't think. My feminism is for me.

I am permanently a student of people who make great songs, but besides sort of learning by absorption, I just love listening to music, hearing what's going on, hearing new things or new old things.

The UCB has long been known as a hub of the best comedy in New York City, but it's never been the most well organized or cared for place in the world.

Anchorman' was never supposed to be a popular, like, hit movie. That movie was a cheap movie - it felt like we were working on a weird independent comedy in a way.

In my banjo show with the Steep Canyon Rangers, I do do comedy during that show. It'd be absurd just to stand there mute and play 25 banjo songs.

Good comedy can be liberating, and if I'm doing my job as a comedian, part of the joy for the audience is getting that release.