Making sense of a political moment when you're in the midst of it is difficult: even if you avoid commercial and personal conflicts, it can still be hard to see it and understand it.

Being editor-in-chief of the 'Guardian' and 'Observer' is an enormous privilege and responsibility, leading a first-class team of journalists revered around the world for outstanding reporting, independent thinking, incisive analysis, and digital innovation.

A newspaper is complete. It is finished, sure of itself, certain. By contrast, digital news is constantly updated, improved upon, changed, moved, developed - an ongoing conversation and collaboration. It is living, evolving, limitless, relentless.

The political solutions to the refugee crisis may be complex, but that does not mean we should abandon our humanity. We should not close our hearts, retreat behind walls, real or imagined, or ignore the pressing moral imperative to provide assistance and sanctuary for some of the world's most desperate people.

When you gaze at stars and think about planets, the places it takes your imagination are amazing! You look up the sky, and you know the stars have always been here; they were referenced in biblical times and have always been present. They are somewhere up there in the future, and they guide you; they make you feel safe.

The truth is, we have this idea that late night is about creativity and being cool, but that's not our job. Our job is to get as many people watching the commercials in between our show. That's the reality of it.

In a lot of ways, I wouldn't be an artist in another time. I need to exist in a time where high and low art mix easily.

I consider creativity to be a more non-rational, subconscious thing. You have a relationship to your creativity - you can feed it with content, with some rational prodding and sleep and things like that, but the mechanisms by which your creativity work are largely unknown.