Everyone talks about the gags, but the most difficult thing is coming up with the stories. You have to learn to do that for sitcoms.

I'm like a goldfish. My memory is terrible.

I feel that I'm a stand-up comedian more than anything else, that's my job.

Comics were always the lowest rung on the ladder, front of cloth at the Royal Variety Performance. What that means is you're only there so Take That can set up behind the curtains.

You learn timing on the road. You learn structure and how to read an audience. You learn so much about the business of laughter that you can't learn on a set, because it's all on you. Sometimes you bomb, and you know not to tell that joke again... You just hope people find the humor in the awkwardness.

My comedy comes from the actual music itself - they're observational musical gags. I could take the music away and it would just be some words.

First of all, to defend my work, I had to believe that I am doing a totally silly, stupid, innocent comedy.

Robert Bloch taught me about mixing horror and humor.