I love being a woman and I was not one of these women who rose through professional life by wearing men's clothes or looking masculine. I loved wearing bright colors and being who I am.

I didn't want to set up a women's studies program. I thought women should learn to operate in a coeducational atmosphere, because, especially in national security and international affairs, it's male-dominated.

I did go to Wellesley, a women's college. And I am of a kind of strange generation which is transitional in terms of women who wanted to go out and get jobs.

Maybe if everybody in leadership was a woman, you might not get into the conflicts in the first place. But if you watch the women who have made it to the top, they haven't exactly been non-aggressive - including me.

As I went through 'This Progress,' one of two performance pieces by Tino Sehgal that transform Frank Lloyd Wright's emptied-out spiral into a dreamy Socratic-purgatorial journey, the museum literally fell away. I was suspended in some weird nonspace.

Vampires were always able to transform into creatures of the night. The dark creatures like bats have always been associated with vampires and using the darkness to their own advantage.

We know the seductive alchemy of art. To transform private anguish into a narrative of truth, if not beauty; to make sense where there was none; to bring order out of chaos - these are the promises art makes.

People like Hillary Clinton think you grow the economy by growing Washington.