Just to be nominated, and especially as a new artist and a female artist, is a feat. Winning anything is just a bonus.

There's Kelsea Ballerini, myself... Lauren Alaina, Raelynn, and there's been this influx of really amazing artists who happen to be women. I think I'm not really attached to the females in country conversation as much anymore, but I think, you know, we're here to stay, and we've always been here, and we've always been good.

I care about women's rights and reproductive rights and my gay friends being able to keep their marriages official. You don't want your genre to disown you for it - and I don't think they would now - but you still see that sort of hatred and vitriol that comes with disagreeing with the conservative agenda.

Ever since the Dixie Chicks, the female perspective on country radio has been love songs. I love love songs, but we do have more to talk about, so it's nice that other perspectives are coming back.

Revolutions' was beyond my wildest dreams. I just really enjoyed it so much visually, the action and then the story and the characters, the beauty of that. The love in the film really inspired me.

I think that human beings were incredibly resilient; otherwise, we wouldn't keep going.

I am in the U.K. for inspiration because I'm doing a follow on series to 'The Infernal Devices,' called 'The Last Hours.' It's a re-telling of 'Great Expectations' with 'Shadowhunters'... because why not! It's set in 1903, so I'm doing a lot of locational research.

We need to do more to prevent radicalization, the inspiration of terrorism in this country.