There is no question that creative intelligence comes not through learning things you find in books or histories that have already been written, but by focusing on and giving value to experience as it happens.

I always like to look for adventure when I go away. I have gone on several horse adventures with my wife - from Guangxi we went up to the High Tibetan region. We also went along the Hurunui River on horseback in the South Island of New Zealand.

Due to the failure of politics, which has become a process of middle-management, art has become one of the last open spaces to question core beliefs and to design a viable future. Art becomes an open space where we can ask fundamental questions about ourselves.

I would say that the whole way that I have approached the body is as a space, not a thing - not an object to be improved, idealised or whatever, but simply to be dwelt in.

It really hasn't been demonstrated at any level by any major corporation that it can nurture what is euphemistically called creativity.

For this reason poets and artists developed the doctrine of Art for Art's Sake. The community did not appear to need them, so, tit for tat, they did not need the community. This being granted, it was no longer necessary or even desirable to make one's poetry either intelligible or sympathetic to the community.

What's become a big theme in my music is my dad as a narrative character. I never had the opportunity to understand our relationship in a more adult capacity. The unknown is great material for any creative outlet.

I'm glad to have grown up in the countryside and played, and had to use my imagination rather than a TV and had to learn to act the hard way, to have dealt with the rejection. It's a life as well as a job, at the end the day, we all have to work for a living, but we have to have a life as well.