I spent a lot of years just learning my craft and falling down in front of the camera.

Conformity is painful. You know, it's too tight. Conformity leads to rebellion. So a desire for happiness is in direct conflict with a desire for freedom.

I'm interested in the impact my movies have on people and how it affects them, and what they like and what they don't like - and what they take away from it. What leaves an impression, you know?

Earlier on in my career I felt that I had to hide behind a lot of different masks, and showboat ways of performing. Now, that's a lie. The less I have to hide, the less I have to act.

I think it's critical, a sense of humor. It did help me - it does help me, continuously.

When I finished my residency in New Orleans, I went to L.A. where I would work as a doctor during the day, and then at night I would actually go to The Improv and do standup, all the while kind of cultivating my comedy resume.

I'd like to try different genres: comedy, period drama, rom-com, action.

I don't worry about the last shot or the next shot. I concentrate. Every shot gets a clean slate. And when a shot is over, I wipe it out absolutely. Tell a joke or something. If you worry about how you looked, how well you did, you'll go insane.