One thing I struggled with early in my career was the delicate balance between my performance and my identity. When things on the field went well, I was cheerful and felt important. When things went poorly, my countenance and self-concept plummeted, and I was not pleasant to be around.

For policemen to be honest about the fact that they may be fearful when they come into a certain situation, not understanding what's going to happen. The only way things will change and things will get better is if people are able to be honest without feeling like they're going to be offended, or they're going to offend someone else.

The only way to really cure what's on the inside is understanding that Jesus Christ died for our sins.

In the same way that I cannot be perfect and need grace for my mistakes, I also need to give my kids grace. I am constantly learning to be patient with them, understanding that they won't do everything right all the time, while still holding them to a high standard, as their heavenly father does.

A lot of the major players in the 1960s were the same as the 1940s and 1950s - Hitchen's 'Sleep with Slander.' Armstong's 'Lemon in the Basket,' which is a fusion of the political assassination thriller and a family drama. And Hughes's 'The Expendable Man.'

My mother emigrated from Russia as a young child. She couldn't speak English and had no education. Her father died at age 32, leaving the family destitute. An uncle, who worked as a carpenter, supported the family.

In Shahjahanpur, there was not much of a political fight. It was my family constituency and I knew all the voters and their problems and needs.

In Limerick, a family that was dysfunctional was one who could afford to drink but didn't.