When you put comedy in the room it's supposed to be in, you start learning it's a process. Not everything is a home run. You have singles, and you ground a few out. But ultimately, it's the journey you have with that comedian, whether it's ten minutes or an hour.

For me, when I think of curiosity on television, a lot of times my childhood was shaped by shows on PBS that encouraged and embraced curiosity.

Whenever I've done jobs, whether it's an acting job or writing job, there's an aspect of it that feels like you help build your piece of it, and then you watch as someone takes it, and they finish building it.

When we simply write a place off as, like, 'Well, it's just Trump country,' for the people who are there, we do them a disservice on some level. It's their country, too.

I think I'm a good joke writer. I'm also very scared that the last joke I wrote is the last joke I'll ever write.

I love Sell Out, I think it's great. I love the jingles. The whole thing as an album is a wonderful piece of work. The cover. Everything about it. It's got humor, great songs, irony.

I came to work one day, and Ricky was playing music on his guitar, just snickering. He played me the riff that turned out to be 'Rock Lobster,' and it was hilarious. He was just trying to be funny. His guitar style made it moodier, and it really is a driving song, but it does have that funny humor to it.

I connect to humor really deeply, so I feel really comfortable just being in funny projects.