I do try not to dwell on the past too much, because I have a tendency to do that, and as I've gotten older, I've gotten very good at distancing myself from shoulda, woulda, coulda.

I grew up in an environment where it was permittable to use violence to solve a problem. But it was not permittable ever to call the police under any circumstances. That was the kind of doctrine of my household. My dad was a career-long criminal, and you weren't calling the police for any reason.

You go through this business and you meet people that you bond with, and you get to go make movies with them. It's wonderful. What I've always dreamt of, in my career, is to have a brotherhood of collaborators, and go in and out of working with them. I'm just starting to get that, and it's really lovely.

In the early part of your career you are always compared with somebody until you can stand on your own two feet.

There is good science you can do in space. There is stuff there you cannot do on Earth and we can gain understanding from it.

Something I learned early on in my career is there's no use trying to fool anybody about what you want to do on a project where there are other people involved, rather than your own thing.

Artists such as Lorna Simpson, Zoe Leonard, Byron Kim and Stephen Andrews and I are around the same age, and I know them personally. The discussions I have had with them over the years have influenced the work that I have made throughout my career.

People often get caught in situations or do something that they regret for the rest of their lives. What happens and how you try to cover up is the story. These are not career criminals.