It's a dirty little secret that I'm pretty self-conscious about coloring my own work. I just see so many people who love color more than me that I get freaked out every time I hit Photoshop. Black and white? I know exactly what to do, but color offers a million solutions to problems I don't even know exist.

The point of view is the biggest problem with games, because what we play must be clearly presented in the best way for me to have an immersive game experience.

I have a traditional view of the afterlife... heaven, hell and judgments. But the accounts of those places are scant, and I believe it's on purpose. We aren't supposed to try to figure out the architecture of the afterlife, since the big game is here in this life.

Making modern games funny would be easy as pie if it was anybody's goal to actually make a funny game.

I think empathy is undervalued in a lot of these comedy writers' rooms.

I go to the British Comedy Awards and, you know, quite a few people were making jokes at my expense. It just made me feel awful, because I am there with my wife and she has gone out and bought a dress. And it is my big night and I won, and yet the overriding experience was that of nastiness.

I have the humor of a 9-year-old boy, and sometimes I've had laughing fits on-air.

That's what I'm attracted to: how people face struggle - with humor - and how they handle tough situations in their lives and in conversations.